本作品以「幽語國度」214部首世界觀為基礎，將植物相關文字轉化為具生物特徵的小怪物，並附著於金屬背包之上，創作從說文字形觀察出發，分析部首結構與語意特徵，延伸為角色設定與立體塑形，使文字由抽象符號轉變為具體形象。背包以金屬為主要材質，保留結構的理性與工業感，並透過焊接與組構形成穩定載體，強調結構邏輯與機械語彙，再與手工塑造的有機植物結合，形成冷冽材質與生命感之間的對比關係。作品在製作過程中，同時關注形式與敘事之間的連動，使角色不只是裝飾，而是承載文字意義的延伸存在，整體創作強調文字、角色與物件之間的轉譯關係，使背包不僅具備穿戴功能，同時成為承載世界觀的媒介，讓幽語國度的一部分能在現實中被觀看、被理解，並進一步引發觀者對文字與想像之間關係的重新思考。
This work is based on the 214-radical world of “Whispering Realm,” transforming plant-related characters into small creatures with biological features, which are attached to a metal backpack. The creation begins with the observation of character forms and extends into character design and three-dimensional shaping, turning abstract symbols into tangible figures. The backpack, primarily constructed from metal, retains a rational and industrial structure, formed through welding and assembly into a stable carrier, and is combined with hand-shaped organic creatures to present a state where rationality and imagination coexist. The work emphasizes the translational relationship between text, character, and object, allowing the backpack to function not only as a wearable item but also as a medium that carries the world-building concept, enabling a part of the Whispering Realm to be seen in reality.
