本作以人、狼、羊、狗、豬五種象徵性角色為基礎，透過雙層頭像的形式構成一種循環式結構，隱喻社會中角色與地位的流動與轉換。外層形象如同社會賦予的面具，內層則指涉個體的真實狀態，兩者之間的錯位與重疊，揭示出個體在權力關係中不斷被形塑與調整的過程。狼象徵掠奪與支配，羊代表順從與被動，狗則游移於忠誠與依附之間，而豬則暗示消耗與被利用的存在，人則成為在這些角色之間不斷轉換的主體。
作品以網狀結構將各個頭像連結，形成一種無法脫離的關係場域，暗示個體始終處於權力網絡之中，難以完全抽離。這種循環不僅是角色的替換，更是一種結構性的重複，使掠奪、服從與消磨在不同位置上持續發生。冷硬且理性的形式語言，與隱含的動物性象徵形成對比，進一步強化對社會體制的批判性觀察。最終，作品試圖引導觀者反思：在不斷更替的社會角色中，何者才是真實的自我，而我們所呈現的面貌，又在多大程度上只是被建構出的表象。
Based on symbols—Human, Wolf, Sheep, Dog, and Pig—this work uses dual-layered busts to create a cyclical structure, mirroring social status fluidity. The outer layer represents societal masks, while the inner layer signifies the true state. Their misalignment reveals how individuals are molded within power dynamics. The Wolf symbolizes predation; the Sheep, passivity; the Dog, loyalty; the Pig, exhaustion; and the Human, the shifting subject.
A mesh-like structure connects each bust, forming an inescapable field within power networks. This cycle is a structural repetition of predation and attrition. Cold, rational forms contrast with animalistic symbols, strengthening the critique of social systems. Ultimately, the work invites reflection: within these shifting roles, what is the true self, and is our presented face merely a constructed appearance?
