「再森 reForest」以臺灣森林為核心。臺灣森林被譽為「微型生態博物館」，海拔變化與樹種生態關係密不可分。本計畫藉由自然的音域與節奏轉譯林相的組成與脈絡，重新建立人與森林之間逐漸疏離的依附關係。作品以黑膠合輯作為主要詮釋載體，依海拔劃分為高、中、低三個層次，對應不同樹種的生長特性與生態環境，呈現森林從初生、生態演替到林業發展的歷史足跡，並延伸至木材走入日常生活所形成的文化樣貌。
三張合輯分別以玉山臺灣雲杉、東眼山臺灣杉與石門山香樟為敘事起點，象徵森林誕生的原始記憶、人為開發留下的歷史痕跡，以及木質文化在生活中的延續。所有聲音皆透過實地採集與音樂創作轉化為不同森林層的聲音敘事，使黑膠刻紋如年輪般記錄時間的流動；林相拼圖則引導觀者在聆聽的同時組裝對應海拔的地形與物件，理解森林層次的生態與歷史。
專輯與包裝設計以「一塊木」為概念，透過材質紋理與形態轉化詮釋海拔高度與樹種特性，設計內容包含黑膠唱片、3D地形拼圖、小冊子與山形海報。透過聲音、物件與閱讀交織而成的感知體驗，讓臺灣森林成為可被聆聽、觸摸與想像的存在，使土地與時間的痕跡再次被感知與理解。
“reForest” centers on Taiwan’s forests, exploring the ecological relationship between elevation and tree species through forest composition while translating the structure of forests into sound to reconnect people with nature. Using vinyl records as its primary medium, the project divides forests into high, mid, and low elevation layers, reflecting the origin of forest ecosystems, the history of forestry, and the integration of wood into everyday life. Field recordings and musical composition transform natural soundscapes into sonic narratives, with vinyl grooves symbolizing tree rings that record time. The work integrates vinyl records, a 3D topographic puzzle, a booklet, and mountain-shaped posters under the concept of “a single piece of wood.” Through the interwoven experience of sound, objects, and reading, reForest invites audiences to rediscover Taiwan’s forests and perceive the traces of land and time once again.
