Self-Carrying 設計理念：
本作品以衣架為核心意象，將其轉化為包款提把的主要結構，象徵個體在社會中被懸掛、被觀看與被展示的狀態。透過壓克力材質呈現清晰且冷冽的外在輪廓，呼應現代人對自我形象的建構與控制，也反映出外在與內在之間的距離與張力。衣架不僅是日常生活中的收納工具，更隱喻一種被選擇、被期待，甚至被賦予價值與定位的存在形式。
靈感來自衣櫃中一件件被掛起的服裝，它們不只是被穿戴的物件，更承載著身份、角色與社會標籤。作品透過將衣架轉化為可提、可穿的結構設計，使「角色」具體化，並延伸至日常行為之中。當物件被提起的同時，也象徵著自我被攜帶、被呈現。
本設計試圖探討個體如何在外在形象與內在認知之間取得平衡，使自我不再只是被動地穿戴於身，而是轉變為主動提著、展現並承擔的存在，進一步回應當代對於自我認同與表達方式的思考。
Self-Carrying
Concept:
The handle is inspired by a hanger, symbolizing the selves that are suspended and put on display. The use of acrylic reflects the clear, defined outlines that people present in modern society. A hanger is not merely a tool for hanging clothes—it represents a form of “being elevated”: being chosen, expected, and even placed on a pedestal.
Inspiration:
The inspiration comes from garments hanging in a wardrobe—each piece is not only something we wear, but also a label we carry. By transforming the hanger into a structure that can be both carried and worn, it materializes the idea of “roles.” Held in the hand or worn on the body, it becomes an essential presence in daily life. The self is no longer something we simply wear, but something we carry with us.
