在環境污染加劇、人類逐漸變異的未來，生存不再只是維持生命，而是學會在異化之中偽裝自我。服裝成為介於身體與世界之間的防護層，融合機能性與未來感造型，使穿戴者得以隱匿於異種之中，同時掩蓋逐漸變化的身體與身份。設計以多重「眼睛」意象作為視覺語言，分布於服裝表面，營造出被凝視與反向凝視的緊張狀態，象徵警戒、防禦與持續存在的不安感。
這些「眼睛」既是對外界威脅的回應，也是內在恐懼的具象化。在極端環境下，人類逐步建立心理防線，卻也在變異過程中與異形共享相似的特徵與輪廓。服裝造型結合變異生物的形態語彙，呈現扭曲、不對稱且帶有侵略性的外觀，使穿戴者遊走於人類與異種之間，成為既偽裝又暴露的存在。
本設計透過異化的視覺語言，呈現共存狀態下的張力與恐懼。當凝視無所不在，人與怪物的界線逐漸崩解。
究竟誰才是怪物。
In a future of rampant pollution and human mutation, survival is not just staying alive but learning to disguise oneself. Clothing becomes a protective layer, merging functionality with futuristic form, letting the wearer hide among other species while masking a transforming body and identity.
“Eye” motifs scattered across the garments create tension between being watched and watching back, symbolizing vigilance, defense, and internal fear. Clothing becomes both armor and projection of the mind.
Humans gradually share traits with mutated beings, adopting distorted, asymmetrical, and aggressive shapes. The wearer exists in a liminal space—hidden yet exposed, human yet other.
Through this alienated aesthetic, the design conveys the tension and fear of coexistence. As gazes multiply and identities blur, the line between human and monster fades.
Who, then, is the real monster?
