本作品《色構系統 Chromatic Structure System》以結構與色彩之間的關係為核心，透過模組化設計與幾何語言，重新思考包款在當代設計中的角色與可能性。設計以管狀框架作為主要骨架，結合可拆解與重組的結構邏輯，使作品具備組裝性與變化性，突破傳統包款僅作為收納工具的既定形式，轉化為具有系統性與建構意義的設計載體。
在視覺呈現上，作品以紅、黃、藍等原色作為主要色彩基礎，透過色塊的分割與拼接，建立出鮮明且具有節奏感的視覺效果。色彩不再只是表面的裝飾，而是參與結構組成的重要元素，協助界定各個模組之間的關係，使整體設計在視覺與功能上達到一致性。幾何切面與不對稱構成則進一步強化作品的動態感與立體層次，展現結構與色彩之間的對話。
材質方面，透過不同質地的搭配，呈現出剛與柔之間的對比關係，使作品在視覺與觸覺上更具層次。模組化結構亦提升了使用上的靈活性，讓作品能隨需求調整形態，回應多元的使用情境。《色構系統》藉由結構與色彩的整合，提出一種兼具機能性與視覺語言的設計方式，展現設計在形式、功能與系統思維之間的整合可能。
Chromatic Structure System explores the relationship between structure and color through a modular, geometric approach. The bag is conceived not only as a functional object, but as a system emphasizing construction and transformation.
Built on a tubular framework, the design features detachable, reconfigurable components that allow it to adapt into different forms. This modular logic highlights flexibility and redefines the bag as an evolving construct.
Primary colors—red, yellow, and blue—form the core visual language. Rather than decoration, color is integrated into the structure, defining connections between modules and creating a clear visual rhythm.
Geometric cuts and asymmetrical compositions enhance its sculptural quality, while combining rigid and soft materials reinforces the balance between stability and flexibility.
By merging structure, color, and modular thinking, Chromatic Structure System presents a dynamic design that reflects new possibilities in contemporary design.
