本專題以「金紙灰釉」為核心研究，嘗試將臺灣傳統祭祀文化中焚燒後的金紙灰，轉化為陶瓷釉藥並應用於器物設計，展現「文化再生 × 環境循環 × 陶瓷工藝」的美學應用。
不僅從過往歷史呼應環保意識的重要性，也融入台灣傳統文化的意象，並藉由廢棄物轉化與器物再生，創造並賦予金紙燃盡後的全新價值，作為設計實踐與專題競賽的展示成果。
本研究基於韓愈在文化史上的影響力，並回應其提倡文學與工藝相互融通的精神，設計一系列具文化意涵之文創產品。透過造形語彙、材質運用與工藝細節，本系列商品旨在使韓愈的思想意象以更貼近當代生活的方式被重新閱讀與理解。選擇以青色作為釉色調性設定的主要方向，青色被視為韓愈文化意象中的代表色之一，青色所呈現的清淨、理性與典雅質地，象徵其文學風格中強調的明辨、正氣與思想深度。
This project focuses on "gold paper gray glaze" as the core research, attempting to transform the incinerated gold paper ash in Taiwan's traditional sacrificial culture into ceramic glaze and apply it to utensil design, demonstrating the aesthetic application of "cultural regeneration× environmental circulation, × ceramic craftsmanship".
Based on Han Yu's influence in cultural history and responding to his spirit of advocating the integration of literature and craftsmanship, this study designs a series of cultural and creative products with cultural significance. Through the vocabulary of form, the use of materials, and the details of craftsmanship, this series of products aims to re-read and understand Han Yu's ideological imagery in a way that is closer to contemporary life.
