最近趁著天氣好，帶著鏡頭去晃了台南兩間很有感的白色建築。原本只是想隨手紀錄，但拍著拍著發現，台南的「白」其實很有層次。
影片前半段是大家都很熟悉的 台南美館 2 館。我很喜歡那些交錯的幾何方塊，還有普立茲克獎大師坂茂設計的那種「碎形光影」。在那裡鏡頭隨便切，建築本身的線條就像是內建的構圖濾鏡，讓整座美術館在陽光下看起來像是一件巨大的摺紙藝術。
後半段我跑到了 台江國家公園遊客中心。這裡又是另一種感覺，雖然同樣是純白色系，但多了水面的倒影跟那種像是在海上漂浮的視覺感。最特別的是那些鑲嵌在牆上的「蚵殼牆」，細看很有在地味，但遠看又很有現代感，這種環保建築跟環境共生的概念真的很酷，給觀眾一種從影片中慢慢帶入進去，讓他們感同深受，有一種美妙感覺
Tainan in White: A Dialogue Between Light, Shadow, and the Sea
Taking advantage of the clear skies recently, I wandered through Tainan with my camera to capture two of the city’s most evocative white landmarks. What started as a casual record turned into a profound realization: the "white" of Tainan is far from monolithic—it is rich with layers and texture.
The first half of the footage features the Tainan Art Museum Building 2, a masterpiece by Pritzker Prize winner Shigeru Ban. I am endlessly fascinated by its interlocking geometric volumes and the "fractal light" filtering through the canopy. As I adjusted my lens, I realized the building’s lines serve as a built-in compositional filter. Under the brilliant sun, the entire museum resembles a colossal piece of origami art, sharp and crystalline.
In the latter half, I moved toward the Taijiang National Park Visitor Center. Here, the vibe shifts completely.
