作品共有六款酒，對應臺灣其中五個縣市的特產水果與曾發生過的污染事件，並以「流沙麻將」為製作手法：靜止時酒液外觀看似清澈，搖晃後顏色改變，沉澱物浮起使酒體混濁。此形式結合各污染物特性進行轉譯，呈現污染由隱性轉為顯性的視覺變化。
以水果作為載體，不僅連結地方歷史脈絡，也源自臺灣被稱作水果王國的文化意象；當污染甚至使此處的水果都變得難以下嚥時，所產生的認知衝擊將更加強烈。
本作品並非在探討環保解方或科學治理，而是假設一個未來場景：在人類創造的極端環境中，人們為了生存，不得不適應原本被視為有害的污染。「人造未來」所指的，正是這個由人類親手造成的虛構未來，其本身即具有強烈的諷刺意涵。
最後，Cheers！
為正在惡化的環境，也為了人造未來。
This project presents six types of wine corresponding to local fruits and historical pollution incidents in Taiwan.
Using a method called “Flowing Sand Mahjong”, the wines appear clear when still but transform when shaken: colors shift, and sediments rise to the surface. This translates pollutant properties into visuals, revealing contamination shifting from latent to visible.
Using fruit as its medium, linking Taiwan’s identity to a “Fruit Kingdom.” When even the fruits in the land become unpalatable, the impact becomes stronger.
Rather than proposing solutions, the project envisions a future in which humans adapt to pollution within environments they have created. “Artificial Future” refers to this ironic premise.
Finally, cheers!
To the deteriorating environment and to the "Artificial Future".
