受印尼神話Leyak千變萬化、無真實形體的本質啟發，並用服裝設計呈現祂在數位時代下的多重面貌。手風琴結構象徵身份的流動、變化與不穩定，造型如同持續展開與重塑的身份碎片，呈現個體在不同環境下的多樣可能性。毛皮喚起原始與儀式感，承載本能與祖先記憶，賦予服裝觸感與情感深度，與觀者建立直接的感官連結。合成面料、多樣紋理及PVC則代表數位世界中建構的身份，其人工光澤與硬挺質感象徵科技下自我被規則與系統塑造的張力。系列透過有機與人工材質的對比、誇張輪廓、層疊結構與多樣造型，將服裝轉化為可多重解讀的身份碎片，觀者可從不同角度感受自我的不穩定性、流動性與持續變化，體驗身份在感知與環境影響下的不斷重建，反思傳統、科技與個體的交錯關係，探索多重自我、流動身份與感知塑造之真實。
Inspired by the Indonesian folklore creature Leyak, a shapeshifter with no fixed form, this collection explores identity as fluid and constantly reconstructed in the digital age. Each look represents a different manifestation of the same entity, shaped by perception. Accordion structures symbolize transformation and instability. Their expandable forms suggest a body that continuously unfolds and reshapes itself, reflecting shifting identities. Fur evokes primitive and ritualistic qualities, referencing instinct and ancestral memory. Synthetic fabrics, varied textures, and PVC represent the digital realm, with artificial surfaces suggesting constructed identities. By combining organic and synthetic elements, the collection creates a tension between instinct and artificiality. Through exaggerated silhouettes and diverse forms, each garment becomes a fragment of identity, allowing multiple interpretations. The collection presents identity as unstable, adaptive, and shaped by perception.
