前面這兩件作品是以廢棄垃圾結合海洋生物為主,以手繪刻劃出海洋塑膠污染的意象,深藍的背景搭配淺色主體在視覺上形成強烈對比,表示塑膠在海洋中無法降解會一直留存,不斷的在海洋生物體內累積,沉溺在海洋中汙穢痛苦的悲鳴。
海洋正在崩潰,希望能透過海報設計提醒大家不要在亂丟棄塑膠垃圾,清潔海洋垃圾做好回收,為海洋做出貢獻。
之後兩件作品以章魚燒與壽司兩種取材自海洋生物的食物為主體，將塑膠垃圾置入其中，形成違和的視覺畫面。透過這種表現手法，傳達海洋生態長期遭受塑膠污染侵蝕的現況。
當人類將垃圾丟入海洋，這些廢棄物並不會消失，而是隨著時間進入食物鏈循環。因此想提醒大眾：那些被丟棄的垃圾，終將透過食物鏈回到人類餐桌。
最後兩件設計理念因為塑膠垃圾已經充滿了我們的海洋，在未來的水族館裡，除了存活下來的海洋生物，人們對於塑膠垃圾的存在也已經習以為常。
一頭鯨魚擱淺在白色沙灘上海水與沙灘交界處，但是已經腐化成了白色骨骸，除了骨骸之外，在骨骸的輪廓範圍內還充滿著一堆分解不了的塑膠垃圾。
The first two combine discarded waste with marine creatures, using hand-drawn imagery to depict ocean plastic contamination. A deep blue background contrasts with lighter subjects, symbolizing how plastic does not decompose but instead accumulates within marine organisms. The posters aim to raise awareness and encourage people to reduce littering, clean up marine debris, and recycle responsibly.
The next two works feature takoyaki and sushi embedded with plastic waste, creating a disturbing visual contrast. This imagery reflects how discarded plastic enters the ocean and moves through the food chain—eventually returning to our own dining tables.
The final two works imagine a future where plastic saturates the ocean. In aquariums, plastic debris becomes a normalized presence. One image shows a whale stranded on the shore, reduced to a white skeleton filled with non-degradable plastic, symbolizing the lasting consequences of environmental destruction.
