《惡業映現》為結合台灣傳統唸歌的拼貼影像作品，透過聲音與影像的層層堆疊，將原本抽象且難以言說的因果觀念，轉化為可被視覺感知與情緒體驗的具體畫面。作品以唸歌特有的節奏性與敘事性作為核心，讓聲音成為引導觀者進入情境的重要媒介，並藉由反覆吟唱與語調變化，營造出具有儀式感與壓迫感的聽覺氛圍。在影像表現上，運用拼貼與剪接手法，將傳統地獄圖像、符號與現代社會的片段交錯重組，使不同時空與文化語境產生碰撞與對話。
作品試圖打破單向傳遞的說教模式，而是透過開放式的觀看經驗，引導觀者在碎片化的影像與聲音之中，自行拼湊意義並進行反思。這些視覺符號既象徵個人行為的累積，也隱喻社會結構中的責任與審視機制，使觀者在觀看過程中逐漸意識到自身與他人之間的關聯。此外，《惡業映現》亦關注傳統文化在當代的轉譯與再生，透過數位媒材與實驗影像語彙，使唸歌不再只是歷史記憶中的表演形式，而成為可被重新感知與再詮釋的文化載體，進一步展現其跨越時代的延續性與轉化潛力。
Manifestations of Karma is a collage-based moving image work that integrates traditional Taiwanese chant-singing. Through the layered accumulation of sound and imagery, it transforms the abstract and often ineffable concept of causality into concrete visuals that can be both seen and emotionally experienced. Centered on the rhythmic and narrative qualities unique to chant-singing, the work positions sound as a key medium that guides the viewer into its immersive environment. Through repetition and variations in vocal tone, it creates an auditory atmosphere imbued with a sense of ritual, tension, and psychological weight, drawing the audience into a liminal space between reality and metaphor.
