本次參賽作品旨在為動畫短片《Grizzly Business》定制一套逗趣輕鬆的原創配樂，期望在 2026 青春設計節的舞台上，透過強大的音樂戲劇張力，放大影片中荒誕滑稽的劇情走向，為評審與觀眾帶來一場充滿驚喜的聽覺盛宴。
全片配樂以輕快活潑的多利亞調式為基底，徹底摒棄沉悶的敘事基調，轉而運用靈活跳脫的節奏線與詼諧的旋律動機，將「工作失衡」這一抽象主題具象化為鮮明的戲劇衝突。灰熊與主角間的「聽覺對位」在影片配樂中主要是透過兩種截然不同的音樂語彙進行碰撞，將「職場窘迫」與「野性自由」這兩個極端狀態具體化。在樂器選擇與音色設計上，我特意加入了大量跳躍的斷奏音型。每當畫面出現角色的滑稽失誤或戲劇性反轉時，音樂便會以張力十足的強弱對比瞬間切換，最大化營造出「啼笑皆非」的喜劇效果。
這種獨特的音樂語言與畫面渾然一體，讓這部探討生活與工作失衡的喜劇，在輕鬆愉悅的氛圍中得以完美釋放。我相信透過這種音色、斷奏與節奏的精密安排，能讓本片在眾多作品中展現出獨特的藝術魅力與記憶。
This entry presents an original soundtrack for the animated short "Grizzly Business" by Kyle Nelson, created with a playful and lighthearted approach to enhance its absurd and comedic tone. The music aims to amplify the contrast between the bear’s chaotic escape and the protagonist’s stressful work life, turning the theme of imbalance into a clear and engaging dramatic tension.
The score is based on a lively Dorian mode, using flexible rhythms and witty melodic ideas to keep the tone energetic and humorous. Bouncy staccato textures and sudden dynamic shifts are used to match comedic timing and emphasize visual gags, especially during moments of failure or unexpected twists.
Overall, the music blends closely with the visuals, supporting the pacing while allowing the humor to land naturally. Through this approach, I aim to create a distinctive and memorable listening experience that highlights the film’s unique character.
