這次選擇了主辦方提供之影像素材其一、三作創作配樂，〈青春 CF〉中以不斷流動的「線」展現收縮、融合、分支與流動等意向，恰與「水」的特性相彷，嘗試融入「水」的印像在編曲與聲音設計之中，並強調動態起伏的段落。〈Sorry Means Nothing〉中以較實驗性的動畫表現，比起悲傷的敘事，更多著重在「破壞」的隱喻，配樂也跟隨其後，直笛的奇異旋律彷彿在暗示純真底下某些事件的開端；兩支嗩吶經過破音效果的破壞帶出情緒高漲的撕裂表現；合成器的「碎屑」好像是某種進入潛意識狀態的表現……雖然我不曉得創作背後的動機及含義，僅試著以聲音表現的方式加強了對劇情的表達的直觀感受。
This time, I chose to compose music for the first and third video clips provided by the competition organizers.
In "Youth CF", the continuously flowing "lines" depict contraction, fusion, branching, and movement—qualities reminiscent of "water." I attempted to integrate the impression of water into both the arrangement and sound design, emphasizing dynamic rises and falls throughout the piece.
In "Sorry Means Nothing", the animation takes on a more experimental approach. Rather than focusing on a sorrowful narrative, it highlights the metaphor of "destruction." The music follows suit: the eerie melodies of the recorder seem to hint at the beginning of something hidden beneath innocence; two suonas, distorted by overdrive effects, create an intense, tearing expression; the fragmented textures of the synthesizer evoke a sense of slipping into the subconscious.
Although I am unaware of the original creative intent behind the films, I aimed to enhance the intuitive emotional impact of the narrative through sound.
