高雄市是台灣第二大城市，但電影產業遠遠不及台北發展來的好，相對不被重視，我的基地在高雄電影一館的位置高雄市鹽埕區河西路10號愛河旁，愛河近年開發提升電影館的重要性，因為一館的設備老舊不齊全不符合現代人的需求，也比較少人會去。我用了蒙太奇的手法去創造新的二館，新館主要想讓男女老少更能去解電影文化產業更能讓學生多去了解電影的大小事，跟愛河以及綠廊用蒙太奇的手法做結合，空間有咖啡廳、多功能展影廳、多功能工作室、訊息展示區、個人影視廳、辦公室、展覽區。利用蒙太奇元素視覺與時間，影像的拼貼重組多層次視覺疊加與穿透，觀眾不同的角度觀看視覺的斷裂與重組、在錯層中移動，如同在時間軸上穿梭，體驗蒙太奇般的非線性敘事。
Kaohsiung is the second largest city in Taiwan, but the movie industry is far less developed than in Taipei, and is relatively unappreciated. My base in Kaohsiung is the location of the Kaohsiung Movie Museum, which is located next to the Aihe River at No. 10, Heshi Road, Yancheng District, Kaohsiung City, where the Aihe River has been developed in recent years to enhance the importance of the Movie Museum, because the equipment of the Museum is old and incomplete, which does not meet the needs of the modern people, and fewer people will go there. I used the montage technique to create a new second museum, the new museum mainly want to let men and women, young and old more to understand the film culture industry more students to understand the movie of the big and small things, and the love of the river and the green corridor with the montage technique to do the combination of space has a cafe, multi-functional exhibition of the theater, multi-functional studios, information display area, personal video hall, office, exhibition area. Utilizing the montage elements of vision and time, the collage of images reorganizes the multi-layered visual superposition and penetration, the viewers watch the visual breaks and reorganization from different perspectives, and move in the wrong layer, as if shuttling on the timeline, to experience a montage-like non-linear narrative.
