編曲：林以珞
音效：林以珞
混音：林以珞
在這次競賽中，我為青春CF與駁二空拍兩支影片配樂，影片中，我感受到青春活力、衝撞與躍動中的城市，因此我將作品音樂取名為「樂動高雄！」。「樂動」取躍動之意，希望我的音樂可以為影像帶來活性。
青春CF開頭的線條糾結，如青春的煩惱，又如創作受阻時揉紙團的意象，於是我以紙張質地的聲音呈現。化成一個圓後，延長成一條前進的線，故放入鼓組與上升的音程。接著在碰撞中，一條彎曲的線變為兩條，彷彿在對話，於是我使用像是在說話的合成器作為他們對話的聲音。最後隨著球體與水管流動，我運用軟體效果器變化音色，呼應畫面的材質變化。
在空拍的開頭中，我看見高雄的海與船，便用了如船隻鳴笛的合成器以及如同波浪的PAD。接著是跳動的色塊出現在城市各處，這讓我聯想到Arpeggio與帶有8-bit風味的音色，所以在他出現時根據出現的時機、位置、遠近，給予相對應的聲音。在左下角的輕軌符號出現時，我使用軟體合成器捏出一個類似高雄輕軌的通過警示音融合在音樂裡。在整部影片中，我也將環境中可能會出現的聲音放入音樂中，像是海水、城市，風吹草動等，希望可以用聲音為空拍影片帶來多一點的沉浸感。
Composer:Lin Yi Lo
Sound Effects:Lin Yi Lo
Mixing:Lin Yi Lo
In this competition, I chose to compose the music for two films, the CF and the aerial shot, in which I felt the youthful energy, the clash and the leaping city, so I named the music of my work "Popping Kaohsiung!" Therefore, I named the music of my work "Popping Kaohsiung! "I hope my music can bring activity to the image.
The tangled lines at the beginning of the CF are like the troubles of youth, and I use paper-like sounds to express the feeling of spiritual resistance. These worries become a circle and then extend into a line that keeps moving forward, so I put in a drum kit and rising intervals. Then, in the crash, a curved line became two lines, as if they were having a conversation, so I used a synthesizer that sounded like it was talking as the sound of their conversation. Finally, as the sphere and the water pipe move, I use a software effect to change the timbre, echoing the material changes in the scene.
In the beginning of the aerial shot, I saw the sea and boats in Kaohsiung, so I used a synthesizer that sounded like a boat whistle and a pad that sounded like a wave, followed by bouncing blocks of color that appeared all over the city. This kind of animation reminds me of Arpeggio and 8-bit sound, so I gave it a sound that corresponded to the timing, location, and proximity of each appearance. Then, when the light rail symbol appears in the lower left corner, I used a software synthesizer to create a Kaohsiung LRT-like pass-by alert sound to blend into the music. Throughout the movie, I also put sounds that may appear in the environment into the music, such as the sea, the city, the wind and the grass, etc. I hope to use the sound to bring a little more immersion to the aerial movie.
