山與院之間

不是再見，而是再現。
期望將逐漸被社會淘汰的臺灣特色建築—閩南式合院，重新視為一種能被再度理解與使用的生活空間，而非僅止於被保存的歷史遺構。設計以「院迎、行游、院居」作為核心空間策略：院迎，使院子重新打開，迎接山風、光線與來訪的人，恢復其與自然與人之間的流動關係；行游，透過廊道的串聯，建立院與院之間的行走節奏，讓移動成為一種被感知的空間體驗；院居，則讓生活重新回到院子之中，使日常活動在開放與圍合之間緩慢展開，重拾合院原有的生活溫度與人際關係。修復不只是對建築形式的保留與再現，更是一種對生活方式的回應與延續。透過適度的現代介入與空間轉化，使院落再次成為可被使用、被停留、被感受的場域，讓合院在時間的推移中，不是走向消逝，而是在新的脈絡下持續被使用與理解，進而轉化為承載記憶與未來生活的場所。

Between Mountain and Courtyard

Not Farewell, but Re-emergence.
This study aims to reconsider the Minnan-style courtyard house—an architectural typology distinctive to Taiwan that has gradually been marginalized by modern society—as a spatial heritage worthy of renewed attention.
The design therefore proposes three spatial strategies—“Yuan-Ying,” “Xing-You,” and “Yuan-Ju.” “Yuan-Ying” reopens the courtyard to welcome mountain breezes and visitors; “Xing-You” reconnects the corridors and courtyards to create a continuous spatial journey; and “Yuan-Ju” reintroduces daily life into the courtyard environment.
Restoration, in this sense, is not merely about preserving architectural form, but about reactivating the courtyard as a place for living—allowing the courtyard house to continue being used, experienced, and appreciated through time.