KAADRAVANE

好茶教會陪伴部落走過兩次遷村歷程，信仰始終是族人重要的精神核心與情感記憶。然而現今鋼筋混凝土教會與周圍木造聚落語彙產生差異，空間機能亦難以回應族人聚會、教學與交流等多元需求。本設計以屏東縣瑪家鄉禮納里好茶部落教會為基地，透過空間再設計重新思考信仰建築與部落文化之間的關係。
設計概念源自魯凱語 Kaadravane（河流），象徵族人早期跨越河流的生活記憶，也隱喻部落在遷村與重建中的生命延續。同時呼應聖經《以西結書》47章所描述「從聖殿流出的水，使萬物得以復甦」的意象，轉化為空間生成的核心概念，使建築如同河流般承載生命與信仰的流動。
在設計手法上，透過量體錯位、板狀量體插入、垂直光縫與水平層理等操作，將水流的延展轉譯為建築語彙，使動線與空間層次如河流般逐步展開，引導人們從公共交流空間走向禮拜空間，形成由外而內的精神場域。
材質選用上，以木質板材、水紋玻璃與沖孔網形塑空間氛圍：木材回應部落聚落語彙，水紋玻璃映射河流流動的光影，沖孔金屬則透過半透明層次引入光與空氣，使光影在空間中流動。透過量體、光影與材質的整合，重新詮釋教會作為信仰與部落生活核心的角色，使信仰、文化與生命如河流般持續流動與延續。

River

Haocha Church has accompanied the tribe through two relocations, serving as a spiritual and cultural core. However, the existing concrete structure contrasts with surrounding wooden settlements and cannot fully support activities such as gathering, teaching, and communication. This project, based on the Linali Haocha Tribal Church, rethinks the relationship between faith and tribal culture through spatial redesign.

The concept draws from the Rukai word Kaadravane (river), symbolizing both early life and ongoing renewal. It also echoes Ezekiel 47, where water from the temple brings life, shaping architecture as a carrier of faith.

Design strategies translate water into form through mass shifts, layering, and light seams, guiding movement from public to sacred spaces.

Materials reinforce this idea: wood relates to the tribal context, water-patterned glass reflects light, and perforated metal filters air and shadow, creating a space where faith and life continue to flow.