最後的圓舞

「圓舞」象徵創傷的循環與重生，本系列以創傷後壓力症候群（PTSD）為核心，透過服裝語彙描繪外在光鮮與內在破碎的並存狀態。表面呈現優雅流動的輪廓，實則隱藏難以抹去的傷痕與持續拉扯的心理掙扎。玫瑰與荊棘作為主要視覺符號，轉化為服裝中的立體結構與細節裝飾，象徵美與痛共生的生命張力。
本系列以六套造型構成敘事脈絡，從壓抑與束縛、情緒崩解，到最終的自我凝視與接納。設計上運用層疊紗料、結構式裙撐與不對稱剪裁，呈現記憶的堆疊與心理狀態的失衡；透過垂墜花瓣與解構細節，隱喻創傷記憶的持續流失與重複浮現。色彩上以紅、白、黑為主軸，紅色象徵傷口與情緒核心，白色代表脆弱與表層修復，黑色則指向壓抑與內在深層結構，交織形成情緒的視覺節奏。
整體造型在優雅輪廓中加入不穩定與破碎感，使服裝在移動中呈現「看似完整，實則裂解」的狀態，強化圓舞般循環不止的心理意象。《最後的圓舞》不僅是一場關於美的呈現，更透過服裝作為媒介，轉譯創傷經驗，使觀者在觀看中感知隱藏於優雅之下的張力，進而反思創傷、重生與自我接納之間的關係。

The Final Waltz

“Waltz” symbolizes the cyclical nature of trauma and rebirth. Centered on Post-Traumatic Stress Disorder (PTSD), this collection explores the contrast between outward elegance and inner fragmentation. Flowing silhouettes conceal enduring scars and psychological tension, while roses and thorns are translated into structural details, representing the coexistence of beauty and pain.
The six looks form a narrative from suppression and emotional collapse to self-reflection and acceptance. Layered sheer fabrics, asymmetrical cuts, and falling petals express memory, imbalance, and the persistence of trauma. A palette of red, white, and black reflects emotional states—wounds, fragility, and repression. “The Final Waltz” invites reflection on trauma, rebirth, and self-acceptance.