奇袍

旗袍一直擁有屬於自己的美與個性，那是一種安靜卻深刻的東方氣質，在貼合身體的線條之中，承載著女性的自信與力量。然而在當代生活裡，它逐漸被留在特定場合之中，成為被觀看的存在，而不再是被日常選擇的服裝。

我開始思考，如果旗袍不只是被保存，而是能再次被穿上、被感受，那會是什麼樣子。本系列從旗袍熟悉的輪廓出發，保留立領、盤扣與線條比例等關鍵細節，並將這些元素加以放大與轉化，使其從裝飾成為結構的一部分，讓屬於東方的語言被更直接地看見，也被重新理解。

在材質上，我選擇運用多種布料進行拼接與重組，包括毛料、牛仔與不同質地的面料。毛料帶來溫度與重量，像一種被包覆的安心；牛仔則來自日常，是貼近生活的存在。當不同材質彼此碰撞與交錯，旗袍不再只是過去的象徵，而是在當下重新呼吸。

整體以黑與紅為主軸，讓內斂與張力同時存在。我希望這樣的旗袍，不只是被凝視的文化符號，而是能走進生活，被年輕世代再次選擇。當有人願意把它穿上街的那一刻，它不只是服裝，而是一段文化被延續、被重新擁有的瞬間。這樣的旗袍，是我心中的旗袍。

QIPAO: REVISED

The qipao has always carried a unique beauty—an understated Eastern elegance that expresses confidence through the body. Yet today, it is often confined to special occasions, becoming something to be seen rather than something to be worn.

This collection reimagines the qipao as part of everyday life. While retaining its signature elements—such as the stand collar, frog buttons, and silhouette—I enlarge and transform them into structural features, allowing tradition to be reinterpreted in a contemporary way.

By combining materials such as wool and denim, the design integrates warmth with practicality, connecting heritage with modern life. Defined by black and red, the collection balances restraint with intensity.

I hope the qipao can return to being worn, not just remembered. In that moment, it becomes more than a garment—it becomes a living connection between the past and the present.