結

作品以立體公仔結合動物肢體造形為主要語彙，透過延展、纏繞與聚合的形式構成，建構出一種介於親密與拉扯之間的情感狀態。創作媒材選擇陶與布料兩種具有強烈對比性的質地，分別象徵理性與感性的雙重面向：陶的堅硬、脆裂與可塑性，隱喻關係中的界線、承載與易碎本質；布料的柔軟、延展與可纏繞特性，則指涉情感的流動、依附與持續牽引。兩者在作品中彼此交錯，使結構在穩定與不穩定之間形成張力。

多重肢體的交織與延伸，形塑出如「結」般的結構意象，既呈現連結的生成，也暗示關係中的束縛與糾結。觀者在觀看時，不僅感知形式上的變化，也被引導進入對人際關係的投射與反思。作品並不將「結」視為單一指向的結果，而是一個持續生成與轉變的過程，隱含著關係在時間與互動中逐步累積、調整與重構的狀態。最終，作品試圖呈現一種帶有脆弱性卻仍渴望連結的存在樣貌，回應人與人之間在依附、拉扯與平衡中不斷生成的情感關係。

Knot

The work uses three-dimensional figurines with animal-like bodily forms to explore an emotional state between intimacy and tension. By combining ceramic and fabric, it contrasts rationality and emotion: ceramic conveys strength and fragility, while fabric suggests fluidity and attachment. Their interaction creates a balance between stability and instability.

Interwoven limbs form a “knot”-like structure, symbolizing both connection and constraint. Rather than a fixed result, this “knot” represents an ongoing process, reflecting how relationships are shaped and transformed over time. Ultimately, the work expresses a fragile yet persistent desire for connection within evolving human relationships.