艸

我們習慣以感官剪裁自然，將植物隱密的訊號誤讀為沈默。作品《 艸 》試圖跨越人類中心的視角，將植物從靜默客體還原為生命主體。在此，轉譯並非定義，而是一次感官的借代。我們透過設計介入，去指涉那場發生在人類知覺邊界之外、永恆運作的隱密對話。這不僅是觀看，而是一場感官尺度的位移與重構。

本作品的核心在於透過設計去轉譯植物的生存型態。基於對植物生理行為的深度觀察，我們捕捉植物受刺激時的電訊號觸發，進而導致特定區域的系統性訊號傳遞，將這些微觀的生物電荷變化轉化為人類可視的動態影像與機械結構。我們運用設計手法，將這些不可見的生存訊號物質化，顯影為具象的動態裝置。這場轉譯並非對生命的強加解釋，而是將植物的生存邏輯對位於人類的感官頻率，讓原本隱晦的生物行為轉化為可被感知的空間語言。

Phyta

We curate nature through our senses, misinterpreting the hidden signals of plants as silence. "PHYTA" transcends this anthropocentric lens, reclaiming plants as living subjects. Through design as a sensory proxy, we shift our perceptive scales, gesturing toward a perpetual dialogue unfolding beyond human awareness.

The core lies in translating the "survival morphology" of plants. By observing botanical behaviors, we capture intracellular electrical signals triggered by stimuli. We then transform these microscopic bioelectric fluctuations into human-perceptible dynamic imagery and mechanical structures.

By materializing invisible survival pulses into kinetic manifestations, this work aligns the plant’s survival logic with human sensory frequencies. It is not a forced interpretation of life, but an intervention allowing obscure biological behaviors to be manifested as an accessible spatial language.