老子云，水利萬物而不爭，我想創造一種能體現道家不爭且順應自然的創作品，偶然我從三峽老街觀察到藍染技藝的困境，因此我希望將織染技術與硬化織布的技術創新，找出工藝設計的新視野，同時專題設計命為布徵也是為了致敬老子的不爭哲學。

布徵以布料為媒介，專注於藍染與黃染的手工藝創作，並以漿糊與纖維做為布料成形的工具，打造出融於生活的日用品，在守柔中表現力量，在不爭中彰顯美好。

布徵符合永續發展目標(SDGs)第11項永續家居設計，融合傳統工藝與現代美學，打造耐用且具文化價值的生活用品。

BOOZEN

Laozi once said, “Water benefits all things without contention.” Inspired by the Daoist philosophy of effortless action (wuwei) and harmony with nature, I aspire to create works that embody these principles. During a visit to Sanxia Old Street, I observed the declining state of traditional indigo dyeing and saw an opportunity to innovate. By integrating textile dyeing techniques with advancements in fabric hardening, I seek to redefine the boundaries of craft and design. The name “BOOZEN” is a tribute to Laozi’s philosophy of non-contention.
BOOZEN explores textiles as a creative medium, specializing in the handcrafted artistry of indigo and yellow dyeing. By utilizing natural pastes and fibers as structural elements, we transform fabric into functional objects that seamlessly blend into everyday life—demonstrating resilience through softness and beauty through non-contention.
Aligned with the United Nations' Sustainable Development Goal (SDG) 11: Sustainable Cities and Communities, BOOZEN bridges traditional craftsmanship with contemporary aesthetics, crafting durable and culturally significant lifestyle products.