理念是由人為的建築慢慢地走到自然生
態的環境，運用密集但有經過人為操控
的空間，慢慢地進入到廣闊人無法操控
的自然。
我在這邊做了一個實驗，用三角形線來
去做一個走在自然有高低起伏和密集和
寬廣的自然環境來去發想，排列了很多
不一樣仿自然路徑，當人在山上會有一
條固定的路徑，但動物會四處走沒有一
條規則的路徑，但人會有一種原則，必
須走在被規劃的路徑，我運用高低的起
伏來去區分，人進到我設計的空間時，
會在高的路徑行走，當人們要進到空間
時會往下走進到空間，當要走到下一個
空間時又會回到高的路徑繼續往下一個
空間。
形體運用三角形，可以呼應到地面的三
角形路徑的規劃，我也運用了兩百×兩
百方格來去分化，讓他是有可控性，但
到自然時變得逐漸無法控制，但還是有
在控制，我的空間和地面都是不平整不
規則的空間構成。

The Intersection of Human and Nature – Husheng Recreational Park

The concept is to gradually transition from human-made architecture into a natural ecological environment. The design employs densely arranged yet deliberately controlled spaces, gradually leading into vast, uncontrollable nature.

Here, I conducted an experiment using triangular lines to explore movement within a natural environment that varies in elevation and transitions between dense and open spaces. I arranged multiple nature-inspired pathways to reflect how humans and animals navigate landscapes differently. In the mountains, humans typically follow fixed paths, whereas animals move freely without a set route. However, humans tend to adhere to planned pathways.

I utilized elevation changes to differentiate spaces: when people enter my designed space, they walk on elevated pathways. To enter a specific area, they descend into the space, and when moving to the next area, they return to the elevated path before continuing forward.

The form is based on triangles, echoing the triangular pathways on the ground. Additionally, I applied a 200×200 grid system to introduce a level of control. As the design extends into nature, it gradually becomes less controllable, yet still maintains an element of structure. Both the spaces and the ground are composed of irregular, uneven formations.