本作品以「回憶的數位化與實體化」為核心概念,將記憶轉化為可被保存、分類與再次開啟的「檔案」。透過服裝設計,建構一座專屬於回憶的資料庫系統——在這裡,每一段被珍藏的瞬間,不再只是抽象存在,而是成為可以被觀看、被觸碰、被重新播放的具體形體。
每一套服裝皆對應一個獨立編號的「回憶檔案」,承載著特定的事件、場景或情感片段。設計上運用皺摺、縫線與層疊結構,象徵時間流動所留下的痕跡,使記憶在被保存的同時,也保有時間推移所帶來的變化與模糊。這些細節讓「過去」與「當下」在同一個載體中並存,形成一種介於保存與流動之間的狀態。
材質上選用透明PVC作為外層包覆,結合標籤、編號與封層設計,模擬真空封存的視覺語彙,呈現回憶被系統化歸檔與隔絕保存的狀態。透明與封閉的雙重特性,也暗示記憶既可被看見,卻又與現實保持距離。
整體造型搭配冷色調妝髮與結霜般的紋理,進一步強化「時間被凍結」的意象。畫面中呈現出記憶既清晰又模糊的特質,如同在回放一段被封存的影像,在真實與虛構之間游移。
This work explores the “digitization and physicalization of memories,” transforming them into archives that can be preserved, organized, and replayed. Through fashion design, it creates a memory database where each moment becomes tangible—viewable, touchable, and revisitable.
Each outfit represents a uniquely numbered memory archive, holding specific events, scenes, or emotions. Folds, stitching, and layered structures symbolize traces of time, allowing memories to retain both preservation and temporal change. Past and present coexist within a single form.
Transparent PVC, labels, numbering, and sealed layers evoke vacuum storage, suggesting memories are systematized yet isolated—visible, but distant from reality.
Cool-toned makeup, hair, and frost-like textures reinforce the sense of frozen time. The visuals convey memories that are both clear and hazy, like playing back a sealed recording, hovering between reality and fiction.