南瀛港痕

以臺灣西南沿海倒風內海為背景，聚焦於歷史上曾經繁盛、如今已消逝的四大港口，透過設計喚起人們對其文化記憶的關注與想像。隨著河川長期沖積與地貌變遷，昔日作為交通與貿易樞紐的港口逐漸淤積消失，不僅地景改變，其所承載的歷史脈絡與生活記憶亦逐漸淡出大眾視野。本專題透過「上今下昔」的時間對照與對稱構圖，建立過去與現在之間的連結，並將四大港口的文化特色轉譯為幾何化圖騰，發展出具系統性的主視覺；同時結合包裝設計與風鈴創作，將文化意象延伸至立體媒介，其中風鈴以造型呈現各港口的文化特徵，作為視覺符號的延伸，而不強調聲音表現。此外，亦延伸設計郵票、明信片與風鈴包裝等視覺周邊，將港口文化轉化為日常可接觸的載體，使已消逝的歷史得以持續被看見與傳遞。透過多元媒介的整合，使消失於地圖上的港口重新被認知，並延續其文化價值與記憶。

Nanying Harbor Mark

Based on Taiwan’s southwestern Tohong Inland Sea, this project focuses on four vanished ports whose cultural memories have gradually faded. Using the concept of “present above, past below,” the ports’ historical features are abstracted into geometric totems and extended into three-dimensional applications such as packaging and wind chime designs, emphasizing visual form rather than sound. The project also develops visual merchandise including stamps, postcards, and packaging, transforming cultural elements into accessible everyday objects. By integrating multiple media, it reintroduces these lost ports into contemporary perception and sustains their cultural memory, allowing their historical and cultural significance to be recognized anew.