影像作品來自於 3D 藝術家 orencloud,以奇幻神話風格與唯美 CG 渲染為特色著稱,在動畫中呈現出一種末世科技的世界觀,巧妙將廢墟美學與生命意像結合,在知曉一切終將向死亡前行的敘事中,如何描繪消逝與新生成為本片最具特色的切入點。
獨異的綠色調、太空、廢墟,科技建物與裝置彷彿暗示曾經存在過一個興盛的文明,如今因某些原因而凋零,試圖從一個更大的格局去襯托個體的死,藝術家運用意像手法轉化,平衡孤獨與無力感,最後再將生命議題拉回到那個宇宙也許早已給出的答案:「無常」。
這些帶給聲音創作很大的啟發,全曲定調 A = 454 Hz,大量運用甘美朗(Gamelan)、預置鋼琴(Prepared Piano)、合成器等微分樂器來支撐世界觀,混合日式侘寂美學——尺八,試圖使其與西方口味調合,轉向佛性的東方生死觀。配樂以全局視點出發,僅對部份場景塞入角色視角的旋律伏筆,剩下保留影像的原味與氛圍,不去過度介入。
Visuals by 3D artist orencloud blend mythological fantasy with post-apocalyptic sci-fi, exploring the cycle of rebirth within ruin aesthetics. The distinct green tones and celestial ruins evoke a fallen civilization, balancing human solitude with the cosmic reality of "Anicca," or impermanence. My musical response is tuned to A=454Hz, utilizing microtonal Gamelan, Prepared Piano, and synthesizers to ground this complex world-building. By weaving the Shakuhachi and Wabi-sabi aesthetics into the arrangement, I bridge Western production styles with a profound Eastern perspective on the cycle of life and death. The score maintains a global, observational viewpoint, utilizing sparse melodic motifs only in key moments to preserve the original visual atmosphere. This approach ensures the music complements the narrative without becoming over-intrusive, allowing the immersive "ruin aesthetics" to take center stage.