本作品將「意識」視為一種可被建構與轉譯的存在,透過影像敘事,將抽象的精神狀態轉化為具體的空間結構與動態形體,探索虛實交錯下自我生成的過程。整體敘事分為三個階段:第一階段「召喚與誕生」,由數位訊號轉化為具儀式性的符號系統,象徵意識自混沌中被啟動,並逐步凝聚為初始形態;第二階段「場域構築」,能量由核心向外擴散,轉化為具有結構性的建築語彙,使意識得以依附於空間並形成可感知的存在狀態;第三階段「匯聚與映射」,形體透過分裂與複製產生多重對應,在反射與同步之中形成多重自我,並逐漸邁向自我覺察與意識的擴張。
在視覺表現上,作品融合宗教儀式、數位演算與未來建築的形式語言,透過光、材質與節奏的轉換,建構出一個介於精神與科技之間的動態系統。此系統不僅作為敘事場域,同時也是意識本身的延伸與投射。最終,作品試圖回應在當代數位環境中,「自我」如何於不斷生成、分裂與重組的過程中,被觀看、被建構,並持續轉變其存在的形態。
This project explores consciousness as a constructible form of existence. Through cinematic narrative, abstract states of mind are translated into spatial forms, examining self-generation between the virtual and the real. The narrative unfolds in three phases: Invocation & Birth, where digital signals form consciousness from chaos; Pavilion Emergence, where energy expands into architectural space; and Festival Convergence, where fragmentation and duplication create layered identities through reflection and synchronization. Visually, the work combines ritual, computational logic, and speculative architecture, forming a system between the spiritual and technological. It reflects how identity in the digital age is continuously generated, fragmented, and reconstructed.
AI was used solely for the creation of the background music. Three separate tracks were generated using Suno AI. Selected segments from each track were then edited, combined, and mixed to produce the final composition.