萬物生長

家鄉的某一角落、旅途中的某個瞬間、日常裡的某種時刻，人的一生中有許多渴望紀錄、值得留戀的存在。相機可以留下影像，文字可以引導情緒，而配戴於身的飾品，則能以更私密且觸覺的方式，拉近我們與這片土地的距離。

本作品將視角聚焦於「臺灣」，以山、海、信仰三面向進行延伸設計。參考火車車窗的幾何造型，將每一件飾品化作移動中的風景，傳遞臺灣特有的印象與精神。

以廢棄木作為材質的選擇，每一道刻痕與打磨的圓潤，不僅是與木材的對話，也是對於工序的執著，更致力在不起眼的廢料中賦予其新的生命與價值。透過木材與凝膠彩繪的異材質結合，我試圖捕捉那些抽象的感悟——山林、海洋、信仰。期許這些作品不僅是點綴，更是情感的媒介。當佩戴者撥弄指尖的戒指或胸前墜飾時，能在日常中與家鄉的輪廓重新連結，讓那些存在於旅途記憶中的片段產生共鳴。

萬物生長，生生不息；透過這扇小小的車窗，我們得以在喧囂的日常裡，看見最純粹的臺灣意象。

Life flows, all grows.

A corner of home, a moment of a journey, or a slice of daily life—we all yearn to record the existence we cherish. While cameras capture images and words guide emotions, accessories worn on the body bridge our connection to the land in an intimate, tactile way.

Focusing on Taiwan, this project explores three dimensions: mountains, the sea, and faith. Inspired by the geometric form of train windows, each piece transforms into a moving landscape, conveying the unique spirit of the island.

By choosing reclaimed wood, every carved mark and polished curve represents a dialogue with the medium and a dedication to the craft. Through the fusion of wood and gel painting, I capture abstract inspirations—striving to breathe new life and value into these humble remnants.

Life flows, all grows. Through this small window, we glimpse the purest imagery of Taiwan amidst the clamor of daily life.