《Feral Abyss》是一段穿梭於古老信仰與未知自然之間的旅程。作品以岩石構築的世界觀為核心，展現未開化的荒野景象，探索人類與原始自然間神秘的聯繫。透過低飽和的色調與緩慢的敘事節奏，營造出深邃且壓抑的氛圍，讓觀者沉浸於未知領域之中。影片開頭由微觀世界拉遠至一顆滾動的石頭，象徵生命的起源與循環。隨著石頭匯集成標誌圖案，暗示人類意識逐漸介入自然，並開始建構屬於自身的世界觀。森林場景透過植物生長與動物遺骸的交錯呈現，表現自然生命繁衍與死亡的過程，呼應古老信仰中的生死循環。聲音設計以環境音與低頻共鳴為主，強化空間感與孤寂氛圍，使畫面中的不安感逐漸堆疊。光影變化刻意壓抑，讓景象隱約顯現，模糊現實與幻象的界線。《Feral Abyss》透過虛實交錯的影像，探問自然、信仰與人類意識之間的關係。作品最終指向一種無法被言說的存在，提醒我們所見的世界，僅是人類心靈投射出的虛幻景象。

Feral Abyss

Feral Abyss is a journey through ancient beliefs and the unknown realms of nature. Centered around a world sculpted from stone, the work portrays an untamed wilderness, exploring the enigmatic ties between humanity and primordial nature. Through desaturated tones, deliberate pacing, and meticulously composed shots, the film constructs a profound, oppressive atmosphere, immersing viewers in an otherworldly domain.
The film opens with a shift from a microscopic perspective to a rolling stone, symbolizing the origins and cyclical nature of life. As the stone moves, it evokes the passage of time and the unseen forces shaping the land. When multiple stones converge into a symbolic pattern, they signify the gradual intervention of human consciousness in nature, marking the boundary between an untouched world and one reshaped by perception. This sequence becomes a metaphor for the human impulse to impose meaning upon the unknown.
In the forest, the interplay of thriving vegetation and scattered remains mirrors the processes of growth and decay, echoing the ancient belief in life’s perpetual cycle. The stark contrast between vibrant flora and decaying bodies underscores the fragile balance between existence and oblivion. Textured details of bone and rock emphasize the relentless passage of time, suggesting that nature's cycles persist, indifferent to human presence.
The sound design, dominated by ambient noise and deep resonances, enhances spatial depth and isolation, gradually intensifying an underlying unease. Distant murmurs and subtle environmental distortions weave into a haunting soundscape, pulling viewers further into the unknown. The restrained use of music reinforces the film’s minimalist aesthetic, allowing the raw sounds of nature to dictate the narrative.
Light and shadow are intentionally subdued, causing forms to emerge only faintly, dissolving the boundary between reality and illusion. Fleeting glimpses of movement through dense foliage hint at unseen presences, while deep shadows obscure the landscape’s true extent. This interplay of light and darkness invites the viewer to question what is revealed and what remains hidden.