駁二空拍及青春CF短片音樂設計

Music Design for Pier-2 Drone Footage and Youth CF

駁二空拍

引言
本配樂創作服務於一部宣傳駁二藝術特區的短片,旨在透過電子與管弦樂融合,描繪影像中快速流動以及切換的畫面感。

創作理念
選擇以簡約的鋼琴動機貫穿全片,在配器上,透過流動的鋼琴動機、鼓組節奏及運用反覆的和弦進行,堆疊器樂以及效果層次來呈現音樂與影像的遞進,在使用PAD 類型合成器增加厚度以及使用Sequencer來增加音樂背景的節奏感。
當鏡頭有變速的設計時,音樂上會使用Riser或是吊鈸等音效型態來推進,強化這類性鏡頭的特殊性;而在結尾,所有樂器將律動改變成三連音,象徵高雄港鏡頭的未來有無限可能。


青春CF
引言
本配樂創作服務於青春設計節2023的主視覺短片。
創作理念
在音樂中,選擇了90年代經典的日系合成器音色以及和弦進行,並觀察到影片中有許多動感的元素,在從垂直動態到向前衝刺的運動中間,利用音效設計幫助合成器主題再次展現。並且配合線條的運動搭配類似皮鞭或是仿生感的音效增加趣味性。
第二段如血液流動的部分,主旋律之外使用了Vocal Chop製作了聲相的轉變以及8-bit的Sequencer,反映材質以及「球」向橫向滾動的影像設計。並延伸到結尾。
影像的不同軸運動,使用了音效來達成段落分割的作用,並且畫面遇到阻礙在進行嘗試時,使用不同類型的聲音設計增強畫面給視覺的感受。

Music Design for Pier-2 Drone Footage and Youth CF

Drone Footage of Pier-2 Art Center

Introduction
This music composition was created for a promotional short film showcasing the Pier-2 Art Center. It aims to capture the rapid motion and dynamic transitions of the visuals through a fusion of electronic and orchestral music.

Creative Concept
A minimalist piano motif runs throughout the piece. The instrumentation combines a flowing piano motif, drum rhythms, and repeated chord progressions, layering instrumental and sound effects to enhance the musical and visual progression. PAD-type synthesizers are used to add depth, while a sequencer provides rhythmic texture to the musical background.
When the visuals feature speed changes, risers or cymbal effects are employed to accentuate these transitions and emphasize the uniqueness of such scenes. At the conclusion, all instruments shift to a triplet rhythm, symbolizing the limitless possibilities reflected in the future of Kaohsiung Harbor.

Youth CF

Introduction
This music composition was created for the 2023 Youth Design Festival's main visual short film.

Creative Concept
The music features classic Japanese synthesizer sounds and chord progressions from the 1990s. Noticing the film’s energetic elements, sound design is used to highlight the synthesizer theme during the transition from vertical motion to forward acceleration. To complement the movement of lines, whip-like or biomimetic sound effects are incorporated to add a playful touch.
In the second section, which resembles the flow of blood, vocal chops are used to create spatial transitions alongside an 8-bit sequencer, reflecting the texture and the horizontal rolling motion of the "sphere" imagery. This theme extends through to the film’s conclusion.
To distinguish different axes of motion, sound effects are used to segment the musical sections. When the scene where lines attempt to break through but are obstructed, diverse sound designs are integrated to enhance the visual experience and intensify the viewer's sensory perception.

作品編號 #471 作品名稱 駁二空拍及青春CF短片音樂設計 作品分類 音樂設計類 學校科系 國立中山大學 音樂學系 設計師 鄭辛
國立中山大學 音樂學系
(三年級)
指導老師 陳以軒

李思嫺

作品編號 # 作品名稱 作品分類 學校科系 設計師 指導老師