站在綠幕前,背景如同更迭的大環境。
堆疊的後製過程,被裝訂成世代成長的表徵。我們在形象的組成與重構間發掘,以(不被)限制的視角,定義身後的背景。「綠幕:序」為中原商設第三十八屆畢業展之形象包裝,並透過展場數位互動與觀眾連結。
設計學習的每一刻都猶如「後製作」的過程,經堆疊、更迭後我們與作品一同成長,衍用攝影棚內拍攝後製呈現嶄新視覺效果的「綠幕」作為核心,以綠幕棚作為展覽打造的場域,主題緊繫在設計執行背後的過程,我們認為在設計領域的學習進程中,無論好與壞,都是值得被紀錄的。
而視覺形象之組成如結構般裝訂,將成長的進程(有序的)編排,好似大環境告訴著我們就應該怎麼做:即會得到最佳的解答。
但在重構的過程中我們發掘,或許試著跳脫出框架,接納各種成長的可能,也是其中一種適應未來的解答。
Standing in front of the green screen, the background shifts like the ever-changing environment.
The layered post-production process is bound together as a testament to generational growth. In the composition and reconstruction of identity, we explore and define the background behind us—through a perspective that is both constrained and liberated.
'GREEN SCREEN: PROLOGUE' serves as the visual identity for the 38th Graduation Exhibition of Chung Yuan Commercial Design, connecting with the audience through digital interactive experiences in the exhibition space.
Every moment of learning in design is akin to the process of "post-production." Through layering and iteration, we grow alongside our creations. Inspired by the "green screen" technique used in studios to achieve innovative visual effects, we adopt the green screen studio as the exhibition space. The theme focuses on the behind-the-scenes processes of design execution. We believe that every step in the journey of learning design, whether successful or challenging, is worth recording.
The composition of the visual identity is structured like a binding, arranging the growth process in an orderly manner—much like how the environment dictates the supposed "correct" way to achieve the best solutions.
through the process of reconstruction, we have discovered that perhaps breaking free from these frameworks and embracing various possibilities for growth is also a way to adapt to the future.