浪魚

Wave Fish

以達悟族文化與永續發展理念為核心,透過包包設計展現文化與自然環境的緊密連結,並融入可持續發展理念。產品選用竹材、染色及皮革為主要媒材,結合傳統編織技術與皮革工藝手法,體現文化與設計的創新融合。竹條經過天然染色與防潮強化處理,既保留原始紋理與自然色澤,增添現代美感,又展現了竹材作為可再生資源的環保價值。竹材生長快速且碳吸附能力強,符合SDGs目標12(責任消費與生產)、目標13(氣候行動)與目標15(保護生態系統),有效減少對環境的影響。
編織紋樣元素靈感源自達悟族,包括象徵生命之源的太陽、代表海洋生命力的海浪,以及具文化象徵意義的飛魚,將文化內涵融入設計。產品形狀、紋樣與材質運用不僅是對傳統文化的致敬,更以永續設計為核心,推動環保意識及文化傳承,為市場注入具有文化價值與環境意識的創新產品。

Wave Fish

Rooted in Tao culture and the principles of sustainable development, this bag design highlights the deep connection between culture and the natural environment while incorporating sustainability. The primary materials—bamboo, dyes, and leather—are combined with traditional weaving techniques and leather craftsmanship to embody an innovative fusion of culture and design.
The bamboo strips undergo natural dyeing and moisture-resistant treatments, preserving their original texture and natural hues while enhancing modern aesthetics. This also underscores bamboo’s environmental value as a renewable resource. With its rapid growth and strong carbon absorption capacity, bamboo aligns with SDG Goal 12 (Responsible Consumption and Production), Goal 13 (Climate Action), and Goal 15 (Life on Land), effectively reducing environmental impact.
The woven patterns draw inspiration from Tao cultural elements, including the sun symbolizing the source of life, waves representing the vitality of the ocean, and the culturally significant flying fish. These motifs infuse the designs with rich cultural meaning. The product’s shapes, patterns, and material choices pay homage to traditional culture while centering on sustainable design. This approach promotes environmental awareness and cultural preservation, introducing innovative products with both cultural value and environmental consciousness to the market.

作品編號 #22 作品名稱 浪魚 作品分類 立體造型暨產品設計類工藝設計組 學校科系 南華大學 產品與室內設計學系 設計師 許育華
南華大學 產品與室內設計系
(四年級)
指導老師 李弘偉

作品編號 # 作品名稱 作品分類 學校科系 設計師 指導老師