建築雖然以靜態的形式呈現，但它並非真正靜止。地球的自轉、時間的推移與光線的變化，使陰影不斷轉移，而陰影本身即是光未及之處——它的存在，證明了建築的存在。陰影不會因碰撞而改變形態，我們所見的影子彷彿是同一個在表面移動，實則是無數陰影連續浮現，構成了一種變動的表象。

人的行為也類似，日常路徑與時間週期不斷重複，看似相同，卻總帶有細微的差異。現在並非單一瞬間，而是過去累積至今的偏差與重疊。人們不斷映照自身，與時間交錯，空間雖維持相似的形態，卻仍然保有個體的獨特性。

將二維概念置於結構中，本身便帶有強烈的建構意圖。「分割」與「分析」不僅是拆解的動作，更是指向某個確定終點的過程。無論這個終點是時間的起源還是空間的界限，它都扮演著絕對的目的。當內外兩端重疊，瞬間的殘影便被無限放大與重組，形成一種延展性的結果，暗示著機能只能在結構內部單向運行的特性。

Front Edge Baths-Behavior and Faith under Absolute Purpose

Although the building appears static, it is not truly static. The rotation of the earth, the passage of time and the change of light cause the shadow to shift continuously, and the shadow itself is where the light does not reach - its existence proves the existence of the building. Shadows do not change shape due to collisions. The shadows we see appear to be one and the same moving on the surface, but in fact they are countless shadows emerging continuously, creating an appearance of change.

Human behavior is similar; daily paths and time cycles repeat themselves over and over again, seemingly identical yet always with subtle differences. The present is not a single moment, but a collection of deviations and overlaps from the past. People constantly reflect themselves and interweave with time. Although space maintains a similar form, it still retains the uniqueness of the individual.

Placing two-dimensional concepts into the structure itself carries a strong constructive intention. "Division" and "analysis" are not only actions of dismantling, but also processes pointing to a certain end point. Whether this end is the origin of time or the limit of space, it plays an absolute purpose. When the inner and outer ends overlap, the momentary afterimage is infinitely magnified and reorganized, forming a ductile result, suggesting that the function can only run in one direction within the structure.